{"id":5535,"date":"2022-05-19T20:55:16","date_gmt":"2022-05-19T18:55:16","guid":{"rendered":"https:\/\/www.reclaim-award.org\/?page_id=5535"},"modified":"2022-05-19T23:17:38","modified_gmt":"2022-05-19T21:17:38","slug":"winners-2022","status":"publish","type":"page","link":"https:\/\/www.reclaim-award.org\/en\/winners-2022\/","title":{"rendered":"Winners 2022"},"content":{"rendered":"

\r\nThese are the winners of the R<\/span>eclaim<\/nobr> Award 2022:\r\n<\/p><\/div><\/div><\/div>\r\n\r\n

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Victoria Pidust<\/a>

Towel, 2021, Soft Image Serie<\/p>

The picture as a soft image. Victoria Pidust renders digital photographic works in photogrammetry software, usually used by architects to create spatial objects. The software tries …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Volo-Bevza<\/a>

Untitled (Softimage), 2021<\/p>

Artist Volo Bevza explores the ubiquity of the internet and its impact on our daily lives. Bevza explores the possibilities of panel painting in the post-digital age. In the transformation from …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Maryana Mural<\/a>

Mariupol<\/p>

Maryana Mural\u2019s painting \u201cMariupol\u201d is the pictorial translation and artistic processing of a video that became known in the media showing the injured pregnant women who had to be taken to …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Olga Permiakova<\/a>

Capri Blue \/ Traffic Yellow<\/p>

The sense of belonging to a particular country, the attachment to one\u2019s national identity, the national idea and national symbols are never stronger than in times when countries are in conflict …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Polina Moroz<\/a>

Skies of Mariupol<\/p>

Polina Moroz\u2019s work \u201cSkies of Mariupol\u201d darkens and condenses the Ukrainian sky into a black impenetrable curtain, where day becomes night and night becomes nightmare. The …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Mariia Stepanchenko<\/a>

Stranger<\/p>

\u201cAll I can think about is death. The first time waking up to bombing and the sound of sirens is a frightening and not yet experienced feeling.\u201d Mariia Stepanchenko\u2019s work is about this feeling of …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Anna Bekerska<\/a>

The Russians are coming, 2015<\/p>

\u00bb\u201cCrimea is my homeland and I lost it.\u201d In her digital collage \u201cThe Russians are coming\u201d, Anna Bekerska deals with the loss of her homeland, Crimea. She fills the human voids of this bathing …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Danylo Movchan<\/a>

Hospital, 2022<\/p>

Death and birth. Sacred life threatened in the sacral shelter, becomes the target of evil. The image becomes an inner prayer. In his work \u201chospital\u201d, Danylo Movchan processes the current war …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Yana Franz<\/a>

Kiss me<\/p>

Yana Franz\u2019s photographic works are often about the feelings of young people and the subject of self-acceptance. \u201cKiss me\u201d is an expression of a longing for closeness, self-discovery and …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Oleksandr Davydov<\/a>

Yalta, Crimea, Ukraine 2012<\/p>

Oleksandr Davydov\u2019s photograph from 2012 is a reference to the time before the annexation of Crimea, when Yalta was still one of the most popular spa towns and holiday resorts in the …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Maria Matiashova<\/a>

world, google Bucha<\/p>

Maria Matiashova\u2019s media-critical screenshot \u201cworld, google Bucha\u201d addresses, among other things, the question of whether and which images of war crimes are allowed to be shown in the …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Dima Tolkachov<\/a>

Impossibility of unflattening the flattened<\/p>

DDima Tolkachov\u2019s work \u201cimpossibility of unflattening the flattened\u201d is an attempt to rebuild the completely destroyed city of Mariupol in an artistic act. With the help of the relief filter, Dima …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Vartan Markarian<\/a>

Alone in the crowd<\/p>

Vartan Markarian\u2019s digital work \u201cAlone in the crowd\u201d conveys the impression of isolation. In the midst of a pile of rubble and rubbish, a man stands obliviously in a cocoon of plastic film. …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Oleksandra Pysarenko<\/a>

Untitled<\/p>

\u201cThis photo shows how I feel. I took it in the first days of the war. To feel that it was really happening made me desperate. I want to scream. I want this terrible war to end. I want peace for …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Dima Mykytenko<\/a>

Kyiv_02, Ukraine, 2022 <\/p>

In his series \u201cAbrupt\u201d, artist Dima Mykytenko examines the urban environment. In order to achieve this, he intervenes in the urban space by means of orange speech bubble-like structures. His …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Ivan Oliinyk<\/a>

Doom<\/p>

Ivan Oliinyk\u2019s drawing \u201cDoom\u201d has the look of a graffiti. Black tube-like forms meander in large broad strokes. They gradually take over the white space, which they seem to appear out of …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Andrii Bludov<\/a>

In the red room<\/p>

With the backdrop of Ukrainian history and Ukrainian identity, Andrii Bludov\u2019s project \u201cVoices\u201d deals specifically with the genre of family history. Photos from family archives serve as his source …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Ivan Paniotov<\/a>

My grandmother taught me how to save money<\/p>

\u00bb\u201cI learned to save money from my grandmother. She literally saved money on everything. She used tea bags several times, for example. From the small savings wrested from everyday, she …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Kristina Mos<\/a>

The sunny space in my blue room <\/p>

Through the prism of visual perception, Kristina Mos tells stories of elusive objects and phenomena like light. In this installation, she simulates her childhood longing to merge with it, to …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Kostiantyn Sen<\/a>

Hopes<\/p>

Kostiantyn Sen\u2019s computer-generated image \u201cHope\u201d shows a woman with eyes closed and a face tilted upwards, who senses the freedom of the sky above her which becomes a symbol of hope. …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Maria Motorina<\/a>

Clear sky<\/p>

Maria Motorina\u2019s work \u201cClear sky\u201d is an expression of her longing for freedom. The strong blue sky and the pure white cloud towers become the symbol of this desire. In the restriction to these …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Nikita Tsoy<\/a>

Ultraviolett<\/p>

Nikita Tsoy\u2019s title \u201cUltraviolet\u201d reveals that he is concerned with the border between the visible and the invisible. The border between the physical and the psychological. His radical portrait precisely …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Anastasiia Zazuliak<\/a>

Journey into the unknown <\/p>

Fleeing destruction, the sound of bombs, the sound of sirens. In Anastasiia Zazuliak\u2019s sensitive work \u201cJourney into the unknown\u201d, a mother, overtired with her child in her arms, becomes a …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Nikita Sereda<\/a>

SGorobyna, Vorohta, 2018<\/p>

Nikita Sereda\u2019s photograph shows a young girl looking down at the viewer. The face, set against the sky, suggests closeness and distance at the same time. The uncertain smile, the fleeting …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Daria Pugachova<\/a>

90 Seconds<\/p>

\r\nMissiles are there to kill. In her performance \u201c90 Seconds\u201d, which took place during a missile attack on Israel, Daria Pugachova leans against a rocket from the Smerch-Salvey-Fire system …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Viktoria Mashchenko<\/a>

Home<\/p>

Viktoria Mashchenko\u2019s graphic work shows a boy standing in front of his house in Luhansk, which has been destroyed by Russian bombardment. A deep all-encompassing blackness in the image …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Sasha Kurmaz<\/a>

Sequential Fist Formation<\/p>

From fraternity to being the enemy that has to be destroyed. The path is short: From an open hand to a fist ready to use violence. Sasha Kurmaz\u2019 sequence divides this transition into 4 stages …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Dasha-Bogdan<\/a>

Sick<\/p>

Crouched down, frightened and naked, Dasha Bogdan depicts herself in this existential portrait. Her body, portrayed as lines of fear, degenerates into a frame without colour. Life becomes a …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Mariia-Mytrofanova<\/a>

Single Picket Performance \u00bb?\u00ab<\/p>

Mariia Mytrofanova\u2019s Single Picket Performance \u201c?\u201d tells of the impossibility of being an apolitical artist in times like these. Every day from 16.-30.04.22, she stood on the main square in Krakow …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Aljoscha<\/a>

Bioisms, Intervention, Ukraine 03.2022<\/p>

The Ukrainian artist Aljoscha, who lives in D\u00fcsseldorf, travelled to his home country with his filigree and lively Bioisms sculptures. Under the war conditions, he installed them in homes …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Anna Martynenko<\/a>

Burning<\/p>

Anna Martynenko\u2019s photograph \u201cBurning\u201d is a staging that, among other things, uses the elements of performance to build a narrative around the person in the picture. This story lives from …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Darina-Beznosenko<\/a>

Love<\/p>

Darina Beznosenko\u2019s abstract and subtle painting \u201cLove\u201d is an image of hope. The quiet and nuanced transitions in colour and the careful hints of content convey a pleasant intervening space …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n

Nastya Didenko<\/a>

Bad Omen<\/p>

Nastya Didenko\u2019s work \u201cBad Omen\u201d deals with the subject of destruction and the loss of objects that are overly charged with meaning. In her work, she symbolically uses plates inherited from her …<\/p><\/div><\/div><\/a><\/div>\r\n\r\n\r\n\r\n<\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"

Victoria PidustTowel, 2021, Soft Image SerieThe picture as a soft image. Victoria Pidust renders digital photographic works in photogrammetry software, usually used by architects to create spatial objects. The software tries … Volo-BevzaUntitled (Softimage), 2021Artist Volo Bevza explores the ubiquity of the internet and its impact on our daily lives. 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