{"id":1341,"date":"2020-02-06T14:59:16","date_gmt":"2020-02-06T13:59:16","guid":{"rendered":"https:\/\/www.reclaim-award.org\/gewinnerinnen-2019\/"},"modified":"2020-02-12T17:42:17","modified_gmt":"2020-02-12T16:42:17","slug":"winners-2019","status":"publish","type":"page","link":"https:\/\/www.reclaim-award.org\/en\/winners-2019\/","title":{"rendered":"Winners 2019"},"content":{"rendered":"

\r\nThese are the winners of the R<\/span>eclaim<\/nobr> Award 2019:\r\n<\/p><\/div><\/div><\/div>\r\n\r\n

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\r\nAdam Geary<\/a>\r\n

House washed up on beach<\/p>\r\n

Adam Geary\u2019s work \u00bbHouse Washed Up on a beach\u00ab the plastic-cast ideal notion of a house of one\u2019s own. Washed up on the coast, however, the child-size house in his photo becomes a memorial…<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nAaron Yeandle<\/a>\r\n

A Brief Encounter \/ Image 1<\/p>\r\n

The photo by Aaron Yeandle, \u201cA Brief Encounter\u201d, was taken in the context of a Photo-Canopy Arts Residence programme. His image symbolizes brief fleeting encounters which, the way we…<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nSimon Freund<\/a>\r\n

Selbstportrait, 2018<\/p>\r\n

Selbstportrait is a photographic series that shows Simon Freund wearing other people\u2019s outfits and these people in one and the same outfit of Freund\u2019s. He thereby queries our desire for self-presentation …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nNanni Schiffl-Deiler<\/a>\r\n

Remember Me my Dear<\/p>\r\n

Nanni Schiffli-Deiler\u2019s photographic work \u201cRemember Me My Dear\u201d tells of nature and resonance. Brought back to the place of origin, she generates a visual echo with her image. Place and depiction enter into …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nJudith Kaminiski<\/a>\r\n

Range (rearranged)<\/p>\r\n

In her artistic work \u201cRange_rearranged\u201d Judith Kaminski investigates proportions between digital and analogous image genesis. A number of images are computer-generated with …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nBoris Loder<\/a>\r\n

A\u00e9roport de Luxembourg<\/p>\r\n

This photograph from the series Particles depicts finds from the underground parking garage of Luxembourg airport. The series is the photographic realization of the notion of identity as a container, which as time goes …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nTom Atwood<\/a>\r\n

Doug Spearman & Marc Samuel<\/p>\r\n

This portrait of the actors Doug Spearman and Marc Samuel is part of Tom Atwood\u2019s renowned photographic series and his book Kings & Queens In Their Castles (recently published at Damiani). The work has …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nMichael Danner<\/a>\r\n

Migration as Avantgarde<\/p>\r\n

In \u201cMigration as Avant-Garde\u201d Michael Danner investigates the new paths on which migrants pursue their hope for a better life. He unites countless perspectives on this phenomenon …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nRegina Tremmel<\/a>\r\n

Das Gedeck<\/p>\r\n

The work \u201cDas Gedeck\u201d by Regina Tremmel is a tableau formed out of the multi-part photographic series \u201cOrdnung muss sein\u201d. Her series came about …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nVaughan Larsen<\/a>\r\n

Self Portrait as my Mother as a Cheerleader, 2018<\/p>\r\n

The work With Larsen Vaughan, the title of his work \u201cSelf Portrait as my Mother as a Cheerleader, 2018\u201d is programmatic. He places himself in the empirical circumstances of …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nAnke Stiller<\/a>\r\n

Ohne Titel II-I<\/p>\r\n

In her photographic work \u201dOohne Titel II-I\u201c, Anke Stiller shows a specific detail of a former billboard in the urban area. For Stiller, the jagged points of a star, such as are commonly used in advertising, function as …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nAlan Gignoux<\/a>\r\n

Dinasour Park, Niagara Falls, Ontario<\/p>\r\n

Alan Gignoux\u2019s photograph is part of the Human Accumulations project. In his project Gignoux investigates the navigable water of fascination with one-of-a-kind natural spectacles. Having once veered into the downward vortex of …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nNess Rubey<\/a>\r\n

Tension<\/p>\r\n

The dance of two transparencies in the red-drenched light. Artificial bodies that yet appear human. In the background a high-voltage mast. In the work \u201cTension\u201d by Ness Rubey there is flickering and shimmering. The two …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nSung Ho Woo<\/a>\r\n

Links: Any.. Minjung \/ rechts: Any.. Damian<\/p>\r\n

Sung Ho Woo searched through dozens of profile pictures from various social network sites for profiles that share a name. He archives all of his finds, pictures of people of different religions …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nChristina Marie Pietsch<\/a>\r\n

Play Safe<\/p>\r\n

In the work \u201cPlay Safe\u201d by Christina Marie Pietsch from 2018, the 35mm cartridge format, with the dimensions \u00d8 4cm x 22cm, which is a common format for US Army fighter planes, is translated …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nAnica Hauswald<\/a>\r\n

Einhorn mit Senf<\/p>\r\n

SBulky shape, fantastic title. Hauswald\u2019s minimally abstract work \u201cEinhorn mit Senf\u201d (\u201cUnicorn with Mustard\u201d) ranges precisely between these two poles. Here the legible is not the actual and the seeable is not the …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nDietmar Wehr<\/a>\r\n

HEAD_CC<\/p>\r\n

Humanity\u2019s fascination with itself is made visible in Dietmar Wehr\u2019s work \u201cHEAD_CC\u201d. In the eye of the beholder, his vegetable still of a celeriac is involuntarily transformed into a head. Celeriac …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nAnja Schlamann<\/a>\r\n

UnterBr\u00fccken<\/p>\r\n

The series \u201dUnterBr\u00fccken\u201d by Anja Schlamann features low-angle shots of Cologne river-crossings. They are photographed from the water and some of them are structured out of 150 individual shots. These graphically …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nAnna Siggelkow<\/a>\r\n

Platzhalter des Nichts<\/p>\r\n

In her work \u201cPlatzhalter des Nichts\u201d Anna Siggelkow decodes found scenes and places them in a new context. She depicts a flattened world between figuration and abstraction. Even if …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nThelma Pott<\/a>\r\n

Lotus Flower<\/p>\r\n

Thelma Pott\u2019s work \u201cLotus Flower\u201d investigates spatial phenomena in painting. Individual brushstrokes condense into black, slightly elevated transparent surfaces on a red ground …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nJooeun Bae<\/a>\r\n

I Wish I Could See You #13<\/p>\r\n

Lying on its back and captured in painting, overthrown commerce seems almost worthy of deliverance. In the collage \u201cI Wish I Could See You #13\u201d by Jooeun Bae, the excerpt of a commercial image…<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nJulie Hrudov\u00e1<\/a>\r\n

Prague<\/p>\r\n

Julie Hrudov\u00e1\u2019s street photography conceals the essential and displays it simultaneously. In her image, the billowing cloud in the streets of Prague becomes a symbol of the poetic. Fleeting, unique and reduced to …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nAntonia Gruber<\/a>\r\n

Artvertisting_2019_007<\/p>\r\n

AAntonia Gruber dissects the human physiognomy in her work \u201cArtvertisting_2019_007\u201d. An attack on our intactness. Humanity in crisis? The prosthetically combined …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nJana Sophie Nolle<\/a>\r\n

Living Room<\/p>\r\n

In her photographic series \u201dLiving Room (2017\/2018)\u201d, Jana Sophia Nolle examines the forms of human habitations. Her focus lies in a typological representation …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n\r\n

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\r\nCarla \u00c5hlander<\/a>\r\n

Untitled (Berliner Meldestellen)<\/p>\r\n

Carla \u00c5hlander investigates the properties of spaces that, within power structures, become effective instances of control and discipline. The faceless architecture of such spaces …<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/a>\r\n<\/div>\r\n\r\n<\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"

Adam Geary House washed up on beach Adam Geary\u2019s work \u00bbHouse Washed Up on a beach\u00ab the plastic-cast ideal notion of a house of one\u2019s own. Washed up on the coast, however, the child-size house in his photo becomes a memorial… Aaron Yeandle A Brief Encounter \/ Image 1 The photo by Aaron Yeandle, \u201cA […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\nWinners 2019 — Reclaim Award<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.reclaim-award.org\/en\/winners-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Winners 2019 — Reclaim Award\" \/>\n<meta property=\"og:description\" content=\"Adam Geary House washed up on beach Adam Geary\u2019s work \u00bbHouse Washed Up on a beach\u00ab the plastic-cast ideal notion of a house of one\u2019s own. Washed up on the coast, however, the child-size house in his photo becomes a memorial… Aaron Yeandle A Brief Encounter \/ Image 1 The photo by Aaron Yeandle, \u201cA […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.reclaim-award.org\/en\/winners-2019\/\" \/>\n<meta property=\"og:site_name\" content=\"Reclaim Award\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/reclaimaward\/\" \/>\n<meta property=\"article:modified_time\" content=\"2020-02-12T16:42:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.reclaim-award.org\/wp-content\/uploads\/2019\/10\/Reclaim-Award-Adam-Geary.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.reclaim-award.org\/en\/#website\",\"url\":\"https:\/\/www.reclaim-award.org\/en\/\",\"name\":\"Reclaim Award\",\"description\":\"Eine weitere WordPress-Website\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.reclaim-award.org\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.reclaim-award.org\/en\/winners-2019\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"\/wp-content\/uploads\/2019\/10\/Reclaim-Award-Adam-Geary.jpg\",\"contentUrl\":\"\/wp-content\/uploads\/2019\/10\/Reclaim-Award-Adam-Geary.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.reclaim-award.org\/en\/winners-2019\/#webpage\",\"url\":\"https:\/\/www.reclaim-award.org\/en\/winners-2019\/\",\"name\":\"Winners 2019 — Reclaim Award\",\"isPartOf\":{\"@id\":\"https:\/\/www.reclaim-award.org\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.reclaim-award.org\/en\/winners-2019\/#primaryimage\"},\"datePublished\":\"2020-02-06T13:59:16+00:00\",\"dateModified\":\"2020-02-12T16:42:17+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.reclaim-award.org\/en\/winners-2019\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.reclaim-award.org\/en\/winners-2019\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.reclaim-award.org\/en\/winners-2019\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\/\/www.reclaim-award.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Winners 2019\"}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Winners 2019 — Reclaim Award","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.reclaim-award.org\/en\/winners-2019\/","og_locale":"en_US","og_type":"article","og_title":"Winners 2019 — Reclaim Award","og_description":"Adam Geary House washed up on beach Adam Geary\u2019s work \u00bbHouse Washed Up on a beach\u00ab the plastic-cast ideal notion of a house of one\u2019s own. 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