The work With Larsen Vaughan, the title of his work “Self Portrait as my Mother as a Cheerleader, 2018” is programmatic. He places himself in the empirical circumstances of his family members and recreates their experiences, in which – necessarily restricted by roles – he cannot take part. These re-enactments problematize gender assignments and associated experiential exclusion. Vaughan designs this restriction of identity deliberately negatively in his image, by making his head and body in the cheerleader’s costume the target of an unforeseen rugby goal.